
Expanding our little label into Japan we present our latest release by Nobuto Suda:
The oldest tradition of tying a can to each edge of a long thin wire has been lost in this day and age. And yet, using guitar and a number of effects, Nobuto Suda seems to communicate with us using such a medium, the sounds travelling a great distance through the wire, adding up the resonances and echoes of its surroundings. “zUnya” is what you hear at your end of the thin wire, delicate frequencies and slices of feedback and wandering tones, scaffolding into a sense of timelessness.
The oldest tradition of tying a can to each edge of a long thin wire has been lost in this day and age. And yet, using guitar and a number of effects, Nobuto Suda seems to communicate with us using such a medium, the sounds travelling a great distance through the wire, adding up the resonances and echoes of its surroundings. “zUnya” is what you hear at your end of the thin wire, delicate frequencies and slices of feedback and wandering tones, scaffolding into a sense of timelessness.Te oldest tradition of tying a can to each edge of a long thin wire has
been lost in this day and age. And yet, using guitar and a number of
effects, Nobuto Suda seems to communicate with us using such a medium, the
sounds travelling a great distance through the wire, adding up the
resonances and echoes of its surroundings. “zUnya” is what you hear at your
end of the thin wire, delicate frequencies and slices of feedback and
wandering tones, scaffolding into a sense of timelessness.